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CHILE ’76: Unveiling the Layers of Political Resistance in a Hitchcockian Noir

Kino Lorber’s announcement of the North American theatrical release of Manuela Martelli’s debut feature, CHILE ’76, brings a fresh perspective to the tumultuous days of Augusto Pinochet’s dictatorship. Set against the backdrop of political upheaval, the film masterfully unfolds the story of Carmen, an upper-middle-class woman inadvertently thrust into the world of Chilean political opposition.

Aline Kuppenheim’s compelling performance captures the stifling atmosphere of the Pinochet era, complemented by impeccable cinematography and a daring musical score that infuse the film with a Hitchcockian noir quality, turning it into a gripping suspense thriller.

Following its successful international festival circuit, including a notable premiere at Cannes Directors’ Fortnight, CHILE ’76 is scheduled to open on May 5 at Film at Lincoln Center and the IFC Center in New York City, followed by the Laemmle Royal in Los Angeles on May 19, with a national rollout to follow.

Martelli’s decision to explore the dictatorship through the eyes of an elegant, prosperous woman challenges expectations but proves to be a poignant choice given the historical context of 1976. The film prompts viewers to consider how individuals navigate their daily lives amidst political atrocities, offering a mechanism for survival that deserves thoughtful exploration. Martelli’s narrative urges us to learn from history and prevent its repetition.

CHILE ’76 establishes Martelli as a promising director, distinguishing herself within the surge of female filmmakers emerging from Chile. With support from notable figures like producer Dominga Sotomayor, Maite Alberdi, and Francisca Alegría, Martelli delivers a “subtle, bold, and thoroughly feminine political thriller,” as described by Marina Ashioti of Little White Lies, ensuring audiences remain on the edge of their seats.

For those captivated by CHILE ’76, another compelling film worth exploring is “La Llorona,” offering Sundance audiences a chilling perspective on the Mayan Genocide in Guatemala. Dive into the rich narratives these films provide, shedding light on historical events and compelling us to reflect on the resilience of the human spirit in the face of adversity.

DG Speaks - Pop Culture - Two maids looking ominously in La Llorona movie still
María Mercedes Coroy and Mara Teln appear in La Llorona by Jayro Bustamante, an official selection of the Spotlight program at the 2020 Sundance Film Festival. (Courtesy of Sundance Institute)

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