Two Refusals: A Poetic Connection Between Resistance and Myth
There’s something uniquely powerful about stories that connect us across borders and histories. Suneil Sanzgiri’s Two Refusals (Would We Recognize Ourselves Unbroken?) is one such film. At just 35 minutes, this poetic and visually stunning short dives deep into the shared resistance of India and Africa against Portuguese colonialism. Combining Konkani and Portuguese languages with evocative narration, Sanzgiri weaves a narrative that is both intimate and expansive. Watching this film felt like walking through a dream—one where myth and history intersect to tell a story of defiance and resilience.
A Poetic Exploration of Resistance
Sanzgiri’s approach to storytelling is unlike anything I’ve encountered recently. The film begins with the specter of a mythic titan, a presence that looms large over the narrative. This figure, steeped in folklore, serves as a metaphor for the oppressive forces that communities have resisted for generations. The blending of mythical and historical elements creates an atmosphere that is as ethereal as it is urgent.
The film’s title itself—Two Refusals—hints at a duality central to its narrative. It evokes the collective refusal to bow to colonial power and the personal refusal to let stories of resistance fade into obscurity. For me, this duality was a reminder of how interconnected our struggles for justice are, even when separated by oceans and centuries.
Cinematic Techniques That Amplify the Story
One of the standout features of Two Refusals is its use of imagery. Sanzgiri combines archival footage with breathtaking landscapes, creating a visual tapestry that feels both historical and timeless. The contrast between the natural beauty of the land and the violence of its history is striking, forcing the viewer to confront the realities of colonial exploitation.
The film’s poetic narration ties these visuals together, adding depth and emotion to the story. Delivered in Konkani and Portuguese, the narration feels like a conversation between the past and present. It invites viewers to listen—not just with their ears but with their hearts.
This technique reminded me of A Fidai Film, where archival fragments were reclaimed to tell a story of cultural resistance. Both films use visuals and narration not just to inform but to evoke, creating an emotional resonance that lingers long after the credits roll.
Resistance Beyond Borders
One of the most compelling aspects of Two Refusals is its exploration of shared resistance. By connecting the histories of India and Africa, Sanzgiri highlights the universality of the struggle against colonial oppression. These connections remind us that resistance is never isolated—it’s part of a larger, global movement for justice and liberation.
The film also challenges viewers to consider their own role in preserving and amplifying stories of resistance. As I watched, I found myself reflecting on how often these narratives are overlooked or forgotten. Two Refusals is a powerful reminder of the importance of storytelling in keeping these histories alive.
For those interested in learning more about Portuguese colonialism and its global impact, this Wikipedia article on the Portuguese Empire provides valuable context.
The Mythical Titan: A Symbol of Resistance
The specter of the mythic titan is more than just a narrative device—it’s a symbol of the enduring spirit of resistance. This figure represents the larger-than-life strength of those who fought against colonial oppression, reminding us of the power of collective action.
Sanzgiri’s decision to incorporate mythology into the film adds a layer of universality to the story. It suggests that the struggle against oppression is not just historical—it’s timeless. This theme resonated deeply with me, as it reminded me of the ways in which myth and history often intertwine to shape our understanding of the world.
The Role of Language in Resistance
Language plays a significant role in Two Refusals. By using Konkani and Portuguese, Sanzgiri underscores the cultural intersections created by colonialism. These languages, though imposed by colonizers, have been reclaimed and transformed by the communities that speak them.
The film’s use of bilingual narration also serves as a metaphor for the blending of histories and identities. It challenges viewers to consider how language can both oppress and empower, depending on who wields it.
This focus on language reminded me of The Flesh of Language, another film that explores the ways in which words and communication shape our understanding of the world. Both films highlight the power of language to connect and transform, even in the face of adversity.
Why Two Refusals Is a Must-Watch
For me, Two Refusals was more than just a film—it was an experience. Its poetic narration, stunning visuals, and profound themes create a narrative that feels both deeply personal and universally relevant. It’s a film that invites viewers to reflect on their own connections to history and resistance, making it a must-watch for anyone interested in storytelling, justice, or liberation.
If you were moved by the layered storytelling of A Fidai Film or the poetic connections in The Flesh of Language, you’ll find Two Refusals equally captivating. It’s a film that lingers in the mind, reminding us of the power of stories to inspire and unite.
